Speaking of the back panel, this is where you’ll find the remaining Reamp® features. The JCR’s front-panel features include a 3.5mm input that lets you Reamp® signals from mobile devices and handhelds a level control a three-position filter with settings for high-cut, low-cut and flat frequency response and a mute switch that cuts the signal to the 1/4-inch amp output on unit’s back panel. Once your guitar part has been recorded, the Reamp® Station’s JCR comes into use with a custom-wound USA-made transformer that converts line-level signals to instrument level. The DI’s features continue on the back panel and include a balanced XLR output for connecting a recording interface or mixer, and a 180˚ switch that reverses polarity at the direct output to reduce phase cancellation when the DI is combined with mic’d amp. Here as well is a helpful LED that lights up to indicate when phantom power is active. There’s also a button to engage a buffer on the thru output to avoid loading down passive pickups when connecting to an amp, and a pad button that reduces input sensitivity by 15dB when using high-output instruments like active basses. The DI’s front panel includes a 1/4-inch instrument input and a 1/4-inch thru output to pass your signal to an amp for monitoring purpose. The DI runs off the 48-volt phantom power from your mixer, so there’s no need for an additional power supply. In a nutshell, the circuit increases headroom to significantly reduce distortion and produce the cleanest signal possible. ![]() Radial’s DI is based on the company’s J48 phantom-powered active direct box designed for guitars and basses with all types of pickups. A reamped signal starts with a high-quality direct recording, so it’s great to see these two features combined in one box. This is where you’ll find controls for the DI, on the left half, and JCR, on the right. The unique construction features a C-shaped outer shell sandwiching the steel chassis that contains the electronics, with the outer edges of the shell forming a narrow protective lip over the various buttons, switches and knobs on the unit’s front panel. Like many of Radial’s products (including a few of their DI boxes I own), the Reamp® Station is made from powder-coated 14-gauge steel. Let’s start with the Reamp® Station, an all-in-one solution that combines a DI for recording your guitar signal and a Reamp® for processing the track after it’s recorded. In practice, Cuniberti’s invention converts the low-impedance, balanced line-level signal from a recorder to a high-impedance, unbalanced instrument-level signal suitable for amplifiers and effects pedals, to achieve optimum sonic results.Ĭuniberti’s Reamp® is at the heart of two new devices from Radial Engineering, a Canadian company with a long-standing and well-deserved reputation for creating direct boxes, audio interfaces and other problem-solving tools for musicians and audio professionals.ĭubbed the Reamp® Station and the Reamp® HP, these utility boxes tackle the job in ways that will suit everyone from home studio hobbyists to professionals. Joe Satriani’s longtime recording partner – with his 1993 creation of the Reamp®, the first commercially available reamping device. For that matter, the same track can be used to create layered and varied sounds.Īlthough reamping has been around for decades, it was popularized by audio engineer John Cuniberti (opens in new tab) – a.k.a. In essence, reamping allows producers and artists to delay critical decision making, keep their options open for future tone revisions and save time by eliminating the need to re-record a track to achieve a new tone. The procedure involves recording a dry, unprocessed guitar track, after which the recorded signal is routed into an amp (or several) and outboard effects to achieve a desired sound. For years, recording studios have used reamping as a way to get the most flexibility when processing guitar tracks and matching tones. Getting the perfect guitar tone has never been easy, even for pros. Radial Engineering Reamp® Station and Reamp® HP Reviews Based on Joe Satriani engineer John Cuniberti’s design, these utility boxes tackle the job in ways that will suit everyone from home studio hobbyists to professionals The following review by Christopher Scapelliti was originally published on February 1st at.
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